Hi, all!
Just a quick note to say that I haven't given up on this blog. Quite the contrary- I have a several fun new entries and features that I'm currently working on. However, instead of publishing them here, I'm going to be moving this blog over to WordPress. Over the next few days, I'll be transferring all my past entries over to my new site, which is also where all new content will go from now on. So change your bookmarks and follow me on over to https://thebooksinmyhead.wordpress.com/ .
See you there!
Books in My Head
Don't worry, we're all mad here.
Saturday, March 19, 2016
Tuesday, October 20, 2015
Famous Movie Speeches, as Written by Different Authors
Mel Gibson's "Freedom!" speech from Braveheart, as written by Jane Austen:
William Wallace: My dear gentlemen, I am Mr. William
Wallace.
Soldier:
Mr. William Wallace has a great estate in Darbyshire and 7,000 a year, at
least!
Wallace:
Indeed, so I have heard, for Mrs. Long has just been here and told me all about
him. He shoots grouse by the hundreds and if he were indeed in attendance
today, he should, by the very superior nature of his dancing and his skill at
the whist table, doubtless drive all the English before him. I must insist that
I AM Mr. William Wallace. I perceive here a large party of my countrymen
assembled in stubborn defiance of tyranny. You have assembled to fight as free
gentlemen and I have no doubt that free gentlemen you most assuredly are.
Indeed, whatever should we do without such freedom as is here spoken of? I pray
you, gentlemen, will you fight?
Soldier: Indeed not! I believe, sir, that I may safely
promise you never to fight against
such a host as that! Rather, we shall run, and we shall live!
Wallace: Obstinate, headstrong Scots! Aye, no doubt, if you
choose to fight there is a very good chance that you may die, while if you
should run, you may live, at least for the present. But, expiring in your beds
years from now, would not you trade all the days in between for the singular
opportunity of returning hence and informing our enemies of the truth
universally acknowledged that a valiant Scotsman, in possession of both his
life and his freedom, may be able to be deprived by the English of the former,
but never of the latter!
Vigorous, but polite, applause; several murmurs of agreement and; one or two shouts of "Huzzah!" and "Most excellently said!"
Alec Baldwin's "Always Be Closing" speech from Glengarry Glen Ross, as written by William Shakespeare:
Blake: Are they
all here assembled?
Williamson: Aye,
all but one.
Blake: Faith, I
shall speak nonetheless. To matters of great import let us now direct our
thoughts. (To Levene) What dost thou
there? Has thou coffee? Fie upon thee, fie for shame! Unhand thy cup! Such fare
is but the property of closers! Dost think I jape with thee? ‘Sooth, I jape
not! Hither have I come on matters of that most heavenly and undeserved gift,
the gentle grace of mercy! Thou’rt Levene?
Levene: Aye, I
answer to that name.
Blake: Thou
callst thyself a salesman, thou son and heir of a mongrel bitch?
Moss: I need not
lendeth mine ear to this skimble-skamble stuff!
Blake: Thou speaks
aright, for here shalt thou no longer ply thy wares! Hence, and get thee gone!
And all the rest that do assemble here, thou e’en now hast but the span of
seven nights with which to earn thy keep! Thou has leads!
Leven: Marry, the
leads do lack in strength.
Blake: ‘The leads
do lack in strength!’ Thou dost lack in strength, thou puny clack-dish!
Moss: What be thy
name?
Blake: Lord
Bite-My-Thumb be my name! (to Levene)
And “Bootless Varlet” be thy name! Faith, but thou art more suited to the
mincing sports of mewling babes than thou art to the tasks of men! Thou canst
not close, and then back to thy wretched hovel dost thou slink in putrid
disgrace, there like some lovesick maid to weep unto thy lady of thy troubles! (to everyone again) There is but one
virtue in this mortal coil and that is for thou to have them upon the dotted
line affix their seals! Dost hear and know my meaning, thou dankish scuts? (flips over a blackboard to reveal the
letters “ABC”) “A” doth stand for “always,” “B” for “be,” “C” for “closing.”
Always be closing! Thou closeth or into dust shalt thou be ground beneath mine
heel! There, behold, the prospects come, waiting but for a chance to render
unto thee vast sums of well-gilt riches! Art thou but man enough to take them? (to Moss) Thou, there, Lord Moss- what
so troubles thy aspect?
Moss: Thou art
such an esteemed lord, such a hero in the battle, so well-steeped in gold, what
dost thou here amongst us lowly worms and gudgeons?
Blake (taking off his
watch): Seest thou this watch? For this watch, this trinket, this shiny
bauble that merely did please my eye, didst I lay down a sum that would purchase
thy carriage thrice over. That is the stuff of which I do make myself, while
thou, thou elf-skinned malt-worm, thou art nothing. Thou has a temperament most
generous, virtuous, kindly, and pleasing? Ha! A fig! Thou art a just and loving
father to thy children? Then get thee home and prance about with yon babes like
a capering jackanape! (to everyone)
If thou wishest thy honest labors here to employ and in just recompense receive
that sum which hath from heavy coffers here been lifted, then thou must needs,
with all due haste, bind up unto thyselves and seal most fastly the matters at
hand! Thou likest it not? Get thee gone and rid my sight of thy pox-marked
visage! I canst, with these same materials that thou dost shun as poor and
weak, go out this very night and return two hours hence laden down with riches
the likes of which thou hast never seen nor canst even picture in thy mind’s
eye! Bring up thy rage, prick up thy spleen! Thou tottering, brazen-faced
maggot-pies! Choke upon thine ire! The money doth sit yonder, ripe for the
plucking. If thou do claim it, it is thine. If not, thou hast not my pity, nay,
only my contempt as thou doth polish my boots. I would wish for Fortune to
smile upon thee, but if thou were to receive the favor of that most fickle of
goddesses, thou wouldst not know what use to make of it, nay, no more than the
blind moldwarp wouldst know how to employ my sword. (to Moss, putting his watch back on) And in answer to thy query,
knave, I didst come to this wretched hole because the Lords Mitch and Murray
did so ask me to. And though I did as they requested, I did advise and caution
them thusly, that the highest aid that could be rendered would be for thy
pigeon-liver’d person to be cast out in the cold to wander. For a knotty-pated
miscreant is naught by a knotty-pated miscreant. (Blake stares at Moss
for a moment, before picking up his briefcase and exiting)
Wednesday, August 26, 2015
Tuesday, July 7, 2015
Happily Ever After- For Real!
Nothing spoils an otherwise good story like a bad ending. And there are often times when, though we may grudgingly admit that a particular ending was fitting, we can't help but wish that things had turned out differently- that the romantic pairings had been different, a villain hadn't gotten off so lightly, or some particular character had just made slightly more sensible decisions. Well, today some of these injustices will (hopefully) be rectified, as we investigate how select works of literature perhaps should have ended.
Tess of the D'Urbervilles
Angel Clare: Tess, will you marry me?
Tess: Yes! But before we get carried away, you should probably know that, a few years ago, I was assaulted by my scumbag of a cousin, and subsequently gave birth to a baby who later died. Is this going to be an issue?
Angel Clare: Ew, get away from me, whore!
Tess: Okay, then. Have fun in Brazil, asshat.
Angel goes off to Brazil and gets deathly ill. Meanwhile, Tess continues working at Talbothay's dairy where, at her suggestion, several ingenious innovations are implemented, which increase both quality and production. Tess is promoted to a management position, where she begins working closely with Mr. Talbothay's son, who respects her business acumen and is accepting of her past. The two of them marry and, following the death of Mr. Talbothay, take over the farm, which, under their management, becomes the largest dairy producer in the county. A penitent Angel returns from Brazil, only to discover that Tess has moved on. Unable to make it on his own as a farmer, he ends up returning to Talbothay's and working for Tess and her new husband. Meanwhile, Alec d'Urberville loses all his money, contracts syphilis, and dies a miserable, painful, lonely death in the workhouse.
Moby Dick
Ishmael: Queequeg, I've been thinking. You and I met at an inn owned by a man named Peter Coffin, which had, as part of its decor, a painting of a ship being destroyed by an angry whale. We then listened to a sermon about Jonah in a church heavily dedicated to people who died at sea. We have since signed on to a ship captained by a man named after a Biblical king who provoked the wrath of God. Furthermore, we have since been warned against this same ship by a creepy doomsayer with the same name as a Biblical prophet of doom. Call me crazy, but I think all of this is what's known as "foreshadowing," and it does not bode well for us.
Queequeg: Me think-ee you right! 'Spos-ee we choose-ee 'nother ship-ee?
Ishmael: Excellent idea, my heathen friend!
Ishmael and Queequeg proceed to sign on to one of the other whaling ships. They have a successful and otherwise uneventful whaling trip, in the course of which Ishamel learns, once and for all, that whales are not fish. They return to Nantucket after a profitable voyage, and enjoy many years of a long and beautiful friendship.
Romeo and Juliet
Romeo: So, here's what I'm thinking- we'll meet at the church tomorrow, have Friar Lawrence marry us, and then get the hell out ofDodge Verona. That work?
Juliet: Sounds like a plan! I'll pack tonight.
The two lovers are married in secret. Then, rather than hang around Verona fighting duels, killing each other's cousins, getting exiled, and concocting elaborate schemes involving faking their own deaths, they immediately skip town, leave the country, and open a charming inn in the south of France, where they live happily ever after, surrounded by their children and grandchildren.
Cinderella
Prince: Excuse me, Miss, but I don't believe we've been introduced?
Cinderella: *curtsies* Good evening, Your Highness. My name is Ella (thinks to herself "Boy, it sure is good that I'm not a total idiot and that my parents managed to instill basic etiquette in me before their untimely deaths, otherwise I might not have known that literally the first thing you do when you meet someone new is tell them your name. That could have led to all kinds of unnecessary complications!")
Prince: It is a pleasure to meet you, Ella. Would you care to dance?
Cinderella: Of course, but would you mind terribly if I ditched these shoes first? I know they're gorgeous and one-of-a-kind and all, but frankly, they're wicked uncomfortable.
Prince: Not at all!
The Prince and Cinderella proceed to dance, converse, and have an otherwise delightful evening, until...
Cinderella: Oh my goodness, it's 11:30! I'm so sorry, I really must go, I have to be home by midnight!
Prince: That's a shame. But, if it's all right, I'd really love to see you again.
Cindrella: Oh, I'd love that, but the thing is...well, I live with my stepmother and I'm pretty sure she wouldn't allow it at all. I'm not even supposed to be here tonight, actually.
Prince: Hmmm...
Cinderella leaves and is home by curfew. Meanwhile, the Prince arranges for the stepmother and stepsisters to win the grand prize from that evening's royal raffle- an all-expenses paid trip to the Caribbean! With the evil step-family an ocean away, he and Cinderella are free to date and get to know each other like normal people, thereby laying the groundwork for the happy, long-lasting marriage that ensues, which really is a far more sensible approach to things than rushing into marriage with a total stranger you've met once, for a few hours, and later could only identify because of shoe size.
Tess of the D'Urbervilles
Angel Clare: Tess, will you marry me?
Tess: Yes! But before we get carried away, you should probably know that, a few years ago, I was assaulted by my scumbag of a cousin, and subsequently gave birth to a baby who later died. Is this going to be an issue?
Angel Clare: Ew, get away from me, whore!
Tess: Okay, then. Have fun in Brazil, asshat.
Angel goes off to Brazil and gets deathly ill. Meanwhile, Tess continues working at Talbothay's dairy where, at her suggestion, several ingenious innovations are implemented, which increase both quality and production. Tess is promoted to a management position, where she begins working closely with Mr. Talbothay's son, who respects her business acumen and is accepting of her past. The two of them marry and, following the death of Mr. Talbothay, take over the farm, which, under their management, becomes the largest dairy producer in the county. A penitent Angel returns from Brazil, only to discover that Tess has moved on. Unable to make it on his own as a farmer, he ends up returning to Talbothay's and working for Tess and her new husband. Meanwhile, Alec d'Urberville loses all his money, contracts syphilis, and dies a miserable, painful, lonely death in the workhouse.
Moby Dick
Ishmael: Queequeg, I've been thinking. You and I met at an inn owned by a man named Peter Coffin, which had, as part of its decor, a painting of a ship being destroyed by an angry whale. We then listened to a sermon about Jonah in a church heavily dedicated to people who died at sea. We have since signed on to a ship captained by a man named after a Biblical king who provoked the wrath of God. Furthermore, we have since been warned against this same ship by a creepy doomsayer with the same name as a Biblical prophet of doom. Call me crazy, but I think all of this is what's known as "foreshadowing," and it does not bode well for us.
Queequeg: Me think-ee you right! 'Spos-ee we choose-ee 'nother ship-ee?
Ishmael: Excellent idea, my heathen friend!
Ishmael and Queequeg proceed to sign on to one of the other whaling ships. They have a successful and otherwise uneventful whaling trip, in the course of which Ishamel learns, once and for all, that whales are not fish. They return to Nantucket after a profitable voyage, and enjoy many years of a long and beautiful friendship.
Romeo and Juliet
Romeo: So, here's what I'm thinking- we'll meet at the church tomorrow, have Friar Lawrence marry us, and then get the hell out of
Juliet: Sounds like a plan! I'll pack tonight.
The two lovers are married in secret. Then, rather than hang around Verona fighting duels, killing each other's cousins, getting exiled, and concocting elaborate schemes involving faking their own deaths, they immediately skip town, leave the country, and open a charming inn in the south of France, where they live happily ever after, surrounded by their children and grandchildren.
Cinderella
Prince: Excuse me, Miss, but I don't believe we've been introduced?
Cinderella: *curtsies* Good evening, Your Highness. My name is Ella (thinks to herself "Boy, it sure is good that I'm not a total idiot and that my parents managed to instill basic etiquette in me before their untimely deaths, otherwise I might not have known that literally the first thing you do when you meet someone new is tell them your name. That could have led to all kinds of unnecessary complications!")
Prince: It is a pleasure to meet you, Ella. Would you care to dance?
Cinderella: Of course, but would you mind terribly if I ditched these shoes first? I know they're gorgeous and one-of-a-kind and all, but frankly, they're wicked uncomfortable.
Prince: Not at all!
The Prince and Cinderella proceed to dance, converse, and have an otherwise delightful evening, until...
Cinderella: Oh my goodness, it's 11:30! I'm so sorry, I really must go, I have to be home by midnight!
Prince: That's a shame. But, if it's all right, I'd really love to see you again.
Cindrella: Oh, I'd love that, but the thing is...well, I live with my stepmother and I'm pretty sure she wouldn't allow it at all. I'm not even supposed to be here tonight, actually.
Prince: Hmmm...
Cinderella leaves and is home by curfew. Meanwhile, the Prince arranges for the stepmother and stepsisters to win the grand prize from that evening's royal raffle- an all-expenses paid trip to the Caribbean! With the evil step-family an ocean away, he and Cinderella are free to date and get to know each other like normal people, thereby laying the groundwork for the happy, long-lasting marriage that ensues, which really is a far more sensible approach to things than rushing into marriage with a total stranger you've met once, for a few hours, and later could only identify because of shoe size.
Saturday, January 31, 2015
Dr. Seusspeare, Part II
Happy (slightly belated) New Year, everybody! For the first post of 2015, I am happy to present you with the continuation of William Shakespeare's Macbeth, as told by Dr. Seuss (the first part of which, should you need a refresher, can be found here). So, without further ado, allow me to present:
Scene 1: Inverness- Macbeth’s Castle. Enter Lady Macbeth, alone, with a letter.
William Shakespeare's
The Tragedy of Macbeth
as told by Dr. Seuss
Part the Second
Lady Macbeth: My husband writes and tells to me
That
he encountered Witch One, Witch Two, and Witch Three.
And
before he could speak, they told him some things
Among
them that he would be Cawdor and king.
Then
lickity-split, before he knew what to do
He
was told that the first thing they said had come true!
Well!
That is some news! That is news that is grand!
There
is nothing more fun than ruling the land!
And
yet, my husband’s much to kind
He
won’t like the plan I have in mind.
[Enter Macbeth]
Macbeth: Hey wife! Say wife! Duncan will stay here tonight!
Lady Macbeth: Yes, but let there be no doubt,
He
can come in, but can’t go out!
When
he arrives, be nice as can be,
Then tonight we will kill him, you and me.
Macbeth: Those are some strange words to hear,
Let’s
talk later of this, dear.
Lady Macbeth: It will be easy, you will see!
Just
leave all of it to me!
Exeunt
Scene 2: Inverness- approaching Macbeth’s
castle. Enter King Duncan, Malcolm, Donalbain, Banquo, Lennox, Macduff, Ross, Angus, and Attendants.
Duncan: Say, this place is swell! This sure is one swell place
to dwell!
[Enter Lady Macbeth]
Lady Macbeth: Yea, King Duncan, verily
I
bid you welcome merrily!
We’re
so glad you are our guest,
And
that with us you’ve come to rest!
Duncan: Good Lady, is your husband here?
He
rode too fast for us, I fear.
Lady Macbeth: About the Thane no longer wonder,
He’s
waiting in the castle yonder.
Duncan: Then by all
means, let us go in
And
thank the man who helped us win!
Exeunt
Scene 3: Inside Macbeth’s castle. Enter
Macbeth.
Macbeth: No, I should not kill him
I
should not, indeed.
For
so many reasons,
It
would be a bad deed!
Duncan’s
my king,
He’s
also my cousin,
And
that is just two reasons
Out
of a dozen!
He’s
also my guest, and I hope you’ll agree
My
guests should be honored,
Not
murdered by me.
Then
perhaps I should add, Duncan’s also quite nice
A
man unacquainted with evil and vice.
No,
I will not do it,
I
won’t, that is clear-
Enter
Lady Macbeth
How
now? What news is there, my dear?
Lady Macbeth: What are you doing out here, you fool?
Don’t you know that Duncan’s been asking for you?
Don’t you know that Duncan’s been asking for you?
Macbeth: I’ve sat and given it much thought,
I’m
calling off our murder plot.
Lady Macbeth: How can this be? What do you mean?
I insist on being queen!
I insist on being queen!
And if we’re to get ahead,
That man in there must end up
dead!
We can kill him here or kill him
there,
But we must murder him somewhere!
Macbeth: Peace, I say! I’ve made up my mind!
I won’t do something so unkind!
It doesn’t matter what you say,
Macbeth: Peace, I say! I’ve made up my mind!
I won’t do something so unkind!
It doesn’t matter what you say,
I won’t do it in any way!
I would not kill him in a boat,
I would not drown him in our
moat.
I would not kill him in his bed,
I would not stab him in the head!
I would not kill him here or
there,
I would not kill him anywhere.
I would not, could not kill the king,
I could not do so foul a thing.
I could not do so foul a thing.
I’ll do only what befits a man,
Which does not mean killing the
king of the land.
Lady Macbeth: Look at you, so prim and prissy!
You’re not a man, you’re just a sissy!
You’re not a man, you’re just a sissy!
A real man would do what he said
he would,
And murder Duncan well and good!
Macbeth: But suppose that we should fail?
Lady Macbeth: That will only happen if you bail!
Take your courage, screw it tight,
And we surely cannot fail tonight!
Later, when Duncan's fast asleep,
Into his room you'll softly creep.
As he's lying on his bed,
Take out your sword and kill him dead!
Then, before you leave the room,
Then, before you leave the room,
Smear his blood upon his grooms.
No one will suspect a thing,
And just like that, you will be king!
Macbeth: Goodness, wife, but you are tough!
But your plan makes sense enough.
And so your advice I'll heed-
Later this night, I'll do the deed.
Exeunt
Will Macbeth go through with his dastardly plot? Find out next time on Dr. Seusspeare's Macbeth!
Monday, November 10, 2014
Words With Criminals, Part I
*Insert obligatory disclaimer about how I know it's been ages and I have no excuse and I am a disgrace to the world of blogging here*
Good. Now that we have that out of the way, let's get right down to business. Allow me, dear readers, to present you with the following flight of literary fancy, inspired by this prompt from the users of r/writingprompts, over at Reddit: In a world where linguistic delinquency is on the rise, a Grammar Nazi is called to the scene of one of the most heinous crimes of his/her career.
Good. Now that we have that out of the way, let's get right down to business. Allow me, dear readers, to present you with the following flight of literary fancy, inspired by this prompt from the users of r/writingprompts, over at Reddit: In a world where linguistic delinquency is on the rise, a Grammar Nazi is called to the scene of one of the most heinous crimes of his/her career.
Chief Grammar Inspector Johann
“Jack” Schmitt ducked under the yellow crime scene tape and climbed the stairs
of the Forman University Library, his brown overcoat flapping in the cool night
breeze. He pulled open the heavy oaken door and strode into the library. The
normally quiet entryway was abuzz with activity- crime scene analysts pulling
out evidence bags and setting up blacklights, tech guys tapping away on
laptops, a couple of officers from the Syntax Squad busily consulting their copies
of “Essentials of English Grammar” and “Elements of Style.”
The hum of voices abated a bit when
Schmitt walked into the room. Six foot five, burly and mustachioed, Schmitt had
a commanding presence, in addition to which he was something of a legend in the
Grammar Police. A member of the force for nearly forty years, Schmitt had first
come to prominence in ’75, after successfully mediating a particularly tense
subject-verb standoff. His subsequent rise through the ranks had been nothing
short of meteoric. It was Schmitt who held the record for corralling the most
run-on sentences; it was Schmitt who, as head of the Punctuation Patrol, had
led the highly effective crackdown on exclamation point abuse; it was Schmitt
who, after months of undercover work, had at last brought down the infamous
Txtspk Gang; and it was Schmitt who had finally tracked down and brought to
justice “The Splitter,” a notorious and elusive serial criminal who had spent
thirteen months roaming the Eastern Seaboard, leaving a trail of bleeding
infinitives in his wake. By now, even the most fresh-faced rookie on the force
knew- if Schmitt was on the case, something big was going on. Schmitt wasn’t
called in for some routine apostrophe slip or piddling little comma splice. Schmitt
was serious.
Ignoring the looks and whispers
that followed him, Schmitt strode briskly through the hall to the circulation
desk, where Detective Spreckels was waiting for him. Spreckels was head of the
Tense Team, and the one who had called him in. “Evening, Herman,” Schmitt said
by way of greeting.
“Evening, Jack. Or ‘Morning,’ I suppose
I should say. Sorry to get you out of bed.”
Schmitt waved his hand
dismissively. “Never mind that. What are we dealing with here?”
“This way,” said Spreckels,
gesturing towards a large wooden door. “The scene is up on the fourth level of
stacks. The elevator’s bust, so we’ll have to walk it. I’ll fill you in on the
way up.”
The two men stepped through the
door in the dusty quiet of the library stacks. Narrow shelves towered over
them, and a musty odor filled the air. A faded map of the college campus hung
on the wall opposite, while to the right, a rickety looking staircase led the
way upwards. Spreckels leading, the two men began the ascent.
“Call came in about thirty minutes
ago,” Spreckels began. “Undergrad- a senior- stayed late at the library to get
some extra work done on his thesis. About one o’clock, he heard a noise coming
from the other side of the stacks- said it was a kind of tearing and then a
couple of thuds. Went to check it out, got one look at the scene, and ran to
call us.”
“Who was first on the scene?” Schmitt
asked. The detectives passed the second level of stacks and continued up.
“Hoffmann and Fischer. They were
about a block away when the call came in, and called for backup pretty quickly
when they saw the scene. I showed up with the guys from Tense about ten minutes
later, took a look, and said we should call you.”
They had reached the landing that
led to the fourth level. Spreckels paused, his hand on the knob of the door
that led into the stacks. “Listen Jack,” he said, “there’s really no way to
prepare you for this. I know you’ve seen a lot over the years, but this…this is
worse than anything any of us has ever seen. Becker- you know what a tough nut
he his- he got one look and just about lost his lunch. And the poor kid who
found it, well, he’s at the hospital right now, in complete shock. This thing
is brutal, completely beyond anything we’ve seen before. That’s why I knew we
needed you on this right from the start.”
Schmitt nodded, his face grim. “I
understand. Just let me see it.”
Spreckels took a deep breath and
led the way through the door. “That way,” he said, pointing to the left. “Just
past the last row of shelves. Forgive me if I don’t come with you. I…I don’t
think I can stand to see it again just now.”
Schmitt nodded and walked towards
the rear of the stack, where he let out an audible gasp. Spreckels was right-
the scene before him was worse than anything he could have imagined. The surrounding
shelves had been emptied, the books pulled off and tossed carelessly into a
heap on the floor. Atop the pile of bent covers and torn pages sat a copy of
the OED, a Number 2 pencil shoved through the front, like a stake through a
vampire’s heart. Even worse, however, was the graffiti. It covered the walls,
every inch of them, from ceiling to floor, the red paint splashed about in a
crude mockery of an English teacher’s corrective pen. As he read it, Schmitt
felt the bile rise in his throat:
Last
nite! I dr3amd, I wEnt: 2 manderly agn
It’s
a? tRUth Universaly aknolejed that a single; man –IN possechun. of a lrg 4-ton
“must” b n (wont) of a w’ife,!?!
Hapee:
famleez, R al a-lick every. unhapee Famlee iz Unhapee n it’s own, way’
2
b or? not…2 b! tht Is The Qwe’stc{h}Un???,?,?,?
aFteR
All. 2m0r0w: iz “an”othr!!!!!!!1!! Day:
s!INg—o
Mu’se Of Teh (anger), of; akileez?!
On and
on it went, row after row of the most disgusting perversions Schmitt had ever
seen. Seemingly no one had been spared- Dickens, Twain, Steinbeck, Dostoevsky,
Milton, Dante…author after author had had their cherished sentences ruthlessly
and sadistically gutted on the library wall. “My God,” Schmitt whispered, and
put out a hand to steady himself against the door frame. He was certainly no
stranger to grammatical carnage. His decades on the force had left him
well-acquainted with the atrocities man was capable of inflicting on the
English language. But this…never, in all his forty years of hunting down
grammar criminals, had Schmitt ever seen such a calculated, cold-blooded attack
on everything that he held sacred.
This
was no time to show weakness, however. He’d been called in for his experience,
his expertise. The other men were shook up enough as it was, without seeing him
fall to pieces as well. He had to get a hold of himself. Closing his eyes,
Schmitt took three slow, deep breaths to steady himself, then straightened up,
turned, and strode briskly back to where Spreckels was waiting.
“Was
there anything there?” he asked, his voice low and quivering with barely suppressed
emotion. “Anything at all that could tell us who was behind that…that…that
bloody butchery back there?”
Spreckel
shook his head. “Nothing. It’s the damndest thing. No fingerprints. No fibers.
Nothing. The only thing we found was this.” He pulled a sealed evidence bag out
of his pocket and handed it to Schmitt. “Forensics wanted to send it right out
to the lab, but I wanted you to have a look at it first.”
Schmitt
took the baggie and examined it. It contained a single sheet of lined notebook
paper, covered with the same red ink smeared on the library walls. A mounting
sense of horror overtook Schmitt again as he read the scrawling handwriting:
2 teh Grahmer po’Leece
Gr33t1ngz?. Dis iz r! furst
comyoonnikashun; It will not! b teh
(last),. 4 yeers wee hav: laB0red under
teh Oppreshun Of You’re grammatehKu’ll rulez? and “suferd” under! the, Standurdized
. spe-lling that, haz kwashed; teh awtH-‘entikley Cree8iv v1zshUn off teh! Tr00
R-tists.,!? No “Mor” ( Tihs) mArrks teh/ Furst of r, STRYKE’S? aganst . ur langwage!!!
Tee-Ranny…Mor-- will folloh UnTil,l Awl Of. You’re (reepressiv )! konstraint’s “hav”
ben dizm-anteld ?and, teh NEW; WORD ORDER haz, ben!!1!? instit00ted?!.?!! do
not dowt? taht, w33 will b SuksSSsful You hav seen wat WE! R kapabel of. Begin,
teh… kowNt. 4: ur daze?( as) Gramer des’pots “r” numb3r3dd.?!1?:;!?
Teh Illiterati
Under the signature there was a carefully drawn sketch of a
pyramid, a dictionary impaled upon its point.
Schmitt looked up from the note, his face hard and grim.
“Get this to the lab. Now.” He
ordered, thrusting the baggie back to Spreckels. “And get forensics back up
here. I want them to go over this place again with everything they have, I
don’t care if it takes them all night.” He brushed past the other detective and
began quickly descending the stairs.
“Sure,
Jack, of course, but where are you going?”
“Over
to District. I’ve got to get through to Washington as soon as possible- we’re
going to need all the help we can get on this.” Schmitt paused and looked back
at his companion. “You were right, Herman. This is beyond anything we’ve ever
seen before. And if we don’t stop this now, well, this is going to be just the
beginning.”
To be continued...6rtfcgj
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